2019 - 2020 | |||||||||||||||||||||||||||||||||||
0851-6235-01 | Introduction to Film History 2 | ||||||||||||||||||||||||||||||||||
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FACULTY OF VISUAL AND PERFORMING ARTS | |||||||||||||||||||||||||||||||||||
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Introduction to Film History II
Following up on part I, “Introduction to Film History II” aims to provide a general mapping of main figures, movements, and trends within global filmmaking from the aftermath of WWII to the end of the 20th Century. As such, classes will oscillate between national and transnational emphases, in an effort to establish how post-WWII cinema relates to such categories as “the artistic”, “the popular”, “the political” and “the commercial”. Amongst the topics discussed within this framework: Modernism in Scandinavian Cinema; the Golden Age of Japanese cinema; from “Cinema of Quality” to the “Nouvelle Vague”; the British “Kitchen Sink” films; popular and art cinema in the Middle East; the decline of the Hollywood Studio System and the rise of the New Hollywood; the German Das Neue Kino; Third Cinema in Latin America and Africa; filmmaking behind the Iron Curtain; Bollywood; the Age of the Megapix and the growth of American Independent Cinema; filmmaking in and out of Maoism within mainland China, Hong-Kong, and Taiwan.