סילבוס הקורס הצורה האקספרימנטלית בספרות, מוזיקה ובקולנוע - תשע"ד, פקולטה לאמנויות, אוניברסיטת ת"א

שנה"ל תשע"ד

הצורה האקספרימנטלית בספרות, מוזיקה ובקולנוע
Experimental Form in Literature, Music and Film

0845-4117-01

אמנויות


סמ' א'	0800-1200	'ד	014מ	מוזיקה בוכמן-מהטה	סמינר	ד"ר פריגישי יהודית

D:\Inetpub\shared\yedion\syllabus\08\2013\0845\0845411701_desc.txt Course description The aim of the seminar is to teach us understand more deeply how we experience music and in what manner we can interpret the meaning of a musical composition. Pieces which present us with something outside the tradition have often been called “experimental.” The usual manners of analyses often fail when discussing such compositions which challenge one to devise new techniques of analysis and interpretation. Such “exercise”, in turn, will prepare one to deal with the “traditional” pieces of the past eras in a deeper manner. I believe that in a sense every new art work is experimental. For the topic of this seminar, however, I have chosen works that had been considered “experimental”, and within this vast pool of pieces, those which address a central experience of the modern era (from the 18^th century till the end of the 20^th), namely, a feeling of being lost: that one can no longer make sense out of the surrounding world – of reality. Although the course will cover a variety of works, not all of them will be analyzed and discussed at depth. The readings are generally suggestive providing background material; some of them, however, will be assigned for the discussion in class. אמנויות 0845-4117-01 הצורה האקספרימנטלית בספרות, מוזיקה ובקולנוע Experimental Form in Literature, Music and Film שנה"ל תשע"ד \| סמ' א' \| ד"ר פריגישי יהודית סילבוס מפורט/דף מידע לצפייה בסילבוס נא ללחוץ כאן

Course description

The aim of the seminar is to teach us understand more deeply how we experience music and in what manner we can interpret the meaning of a musical composition. Pieces which present us with something outside the tradition have often been called “experimental.” The usual manners of analyses often fail when discussing such compositions which challenge one to devise new techniques of analysis and interpretation. Such “exercise”, in turn, will prepare one to deal with the “traditional” pieces of the past eras in a deeper manner. I believe that in a sense every new art work is experimental. For the topic of this seminar, however, I have chosen works that had been considered “experimental”, and within this vast pool of pieces, those which address a central experience of the modern era (from the 18^th century till the end of the 20^th), namely, a feeling of being lost: that one can no longer make sense out of the surrounding world – of reality. Although the course will cover a variety of works, not all of them will be analyzed and discussed at depth. The readings are generally suggestive providing background material; some of them, however, will be assigned for the discussion in class.

אמנויות
0845-4117-01 הצורה האקספרימנטלית בספרות, מוזיקה ובקולנוע
Experimental Form in Literature, Music and Film
שנה"ל תשע"ד | סמ' א' | ד"ר פריגישי יהודית

666סילבוס מפורט/דף מידע

לצפייה בסילבוס נא ללחוץ כאן

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