There are a number of modes of expression at the disposal of the the writer and the director – does one have an advantage over the other? By comparing the written book and its cinematic adaptation, various modes of expression will be examined, each with its own uniqueness.                                                                                                          

When is the screenwriter forced to change the revered source? And what solutions does he choose? And beyond this basis, what further tools are at the disposal of the director to expand upon and vitalize the written word? In this course world and Hebrew literary works will be examined with their cinematic adaptations.

Continuous attendance and submission of assignments is compulsory.