סילבוס הקורס Stage Design in Europe - תשע"ט, פקולטה לאמנויות, אוניברסיטת ת"א

שנה"ל תשע"ט

Stage Design in Europe
Stage Design in Europe

0811-7011

אמנויות | חוג לאמנות התאטרון

קבוצה 01

סמ' א'	1200-1600	'ב	211	מכסיקו - אומנויות	סמינר	ד"ר טאוברט סופי
סמ' א'	1600-2000	'ה	209	מכסיקו - אומנויות	סמינר
הקורס מועבר באנגלית
D:\Inetpub\shared\yedion\syllabus\08\2018\0811\0811701101_desc.txt סילבוס מקוצר The seminar walks once through the developments in stage design in late 20^th century. Stage design will be discussed in its material and visual aspects as well as it will be approached with questions of conceptualization: What visual narrative is established? What kind of relation is encouraged between audience and stage? How are ideology and politics inscribed in sets and scenography? What kind of world is constructed? In the first part the seminar introduces methodological approaches towards scenography in a perspective of cultural history. In the second part the seminar engages with the work of exemplary stage designers (and their directors) from the 1970s to the present. Starting points are Robert Wilson, The Wooster Group, Wolf Vostell/ Hansgünther Heyme, Anna Viebrock, Katie Mitchell, Julie Taymor. The seminar will engage in special with archival material from the theatre archive of the University of Cologne (TWS) and try to locate it within a broader cultural horizon. Course description The seminar walks once through the developments in stage design in late 20^th century. Stage design will be discussed in its material and visual aspects as well as it will be approached with questions of conceptualization: What visual narrative is established? What kind of relation is encouraged between audience and stage? How are ideology and politics inscribed in sets and scenography? What kind of world is constructed? In the first part the seminar introduces methodological approaches towards scenography in a perspective of cultural history. In the second part the seminar engages with the work of exemplary stage designers (and their directors) from the 1970s to the present. Starting points are Robert Wilson, The Wooster Group, Wolf Vostell/ Hansgünther Heyme, Anna Viebrock, Katie Mitchell, Julie Taymor. The seminar will engage in special with archival material from the theatre archive of the University of Cologne (TWS) and try to locate it within a broader cultural horizon. אמנויות \| חוג לאמנות התאטרון 0811-7011-01 Stage Design in Europe Stage Design in Europe שנה"ל תשע"ט \| סמ' א' \| ד"ר טאוברט סופי סילבוס מפורט/דף מידע Course Name: Stage Design in Europe 1970 - present סמסטר א תשע"ט 0811-7011-01 Dr. T. Sofie Taubert tauberts@uni-koeln.de שעות קבלה: לפי תאום במייל מראש Seminar 4 pts Course Description: The seminar walks once through the developments in stage design in late 20^th century. Stage design will be discussed in its material and visual aspects as well as it will be approached with questions of conceptualization: What visual narrative is established? What kind of relation is encouraged between audience and stage? How are ideology and politics inscribed in sets and scenography? What kind of world is constructed? In the first part the seminar introduces methodological approaches towards scenography in a perspective of cultural history. In the second part the seminar engages with the work of exemplary stage designers (and their directors) from the 1970s to the present. Starting points are Robert Wilson, The Wooster Group, Wolf Vostell/ Hansgünther Heyme, Anna Viebrock, Katie Mitchell, Julie Taymor. The seminar will engage in special with archival material from the theatre archive of the University of Cologne (TWS) and try to locate it within a broader cultural horizon. Course Requirements: The class will be held in English Schedule: (13 meetings): Class will be Mondays 12:00-16:00 and Thursdays 10:00-14:00 Mon, 15.10.2018/Thu, 18.10.2018/Mon, 22.10.2018/Thu, 25.10.2018/Mon, 29.10.2018/ 01.11.2018/05.11.2018/08.11.2018/12.11.2018/15.11.2018/19.11.2018/22.11.2018/ 26.11.2018/29.11.2018 Select Bibliography: Camp, Pannill (2017): „Technologies of Performance: Architecture, Scenery, Light“ in: Mechele Leon (Ed.). A Cultural History of Theatre. In the Age of Enlightenment. London u.A.: Bloomsbury. Davis, Tracy C. (2000): »Questions for A Feminist Methodology in Theatre History«, in: Thomas Postlewait / Bruce A. McConachie (Hg.): Interpreting the Theatrical Past. Essays in the Historiography of Performance. Iowa City, S. 59-81. Ferro-Murray, Ashley / Murray, Timothy (2017): »Technologies of Performance: Machinic Staging and Corporeal Choreographies«, in: Kim Solga (Hg.): A Cultural History of Theater in the Modern Age Band 6). London u.a.: Bloomsbury, S. 181-200. Lavender, Andy (2016): Performance in the Twenty-First Century. Theatres of Engagement, New York: Routledge. Here „In the mix. Intermedial Theatre and Hybridity“ P. 59-76. Nield, Sophie (2017): „Technologies of Performance: Architecture, Scenery, Light“ in: Peter W. Marx (Ed.). A Cultural History of Theatre. The Age of Empire. London u.A.: Bloomsbury.

ש"ס: 4.0

סילבוס מקוצר

The seminar walks once through the developments in stage design in late 20^th century. Stage design will be discussed in its material and visual aspects as well as it will be approached with questions of conceptualization: What visual narrative is established? What kind of relation is encouraged between audience and stage? How are ideology and politics inscribed in sets and scenography? What kind of world is constructed?

In the first part the seminar introduces methodological approaches towards scenography in a perspective of cultural history. In the second part the seminar engages with the work of exemplary stage designers (and their directors) from the 1970s to the present. Starting points are Robert Wilson, The Wooster Group, Wolf Vostell/ Hansgünther Heyme, Anna Viebrock, Katie Mitchell, Julie Taymor. The seminar will engage in special with archival material from the theatre archive of the University of Cologne (TWS) and try to locate it within a broader cultural horizon.

Course description

אמנויות | חוג לאמנות התאטרון
0811-7011-01 Stage Design in Europe
Stage Design in Europe
שנה"ל תשע"ט | סמ' א' | ד"ר טאוברט סופי

666סילבוס מפורט/דף מידע

Course Name: Stage Design in Europe 1970 - present

סמסטר א תשע"ט

0811-7011-01

Dr. T. Sofie Taubert

tauberts@uni-koeln.de

שעות קבלה: לפי תאום במייל מראש

Seminar 4 pts

Course Description:

Course Requirements:

The class will be held in English

Schedule: (13 meetings):

Class will be Mondays 12:00-16:00 and Thursdays 10:00-14:00

Mon, 15.10.2018/Thu, 18.10.2018/Mon, 22.10.2018/Thu, 25.10.2018/Mon, 29.10.2018/ 01.11.2018/05.11.2018/08.11.2018/12.11.2018/15.11.2018/19.11.2018/22.11.2018/ 26.11.2018/29.11.2018

Select Bibliography:

Camp, Pannill (2017): „Technologies of Performance: Architecture, Scenery, Light“ in: Mechele Leon (Ed.). A Cultural History of Theatre. In the Age of Enlightenment. London u.A.: Bloomsbury.
Davis, Tracy C. (2000): »Questions for A Feminist Methodology in Theatre History«, in: Thomas Postlewait / Bruce A. McConachie (Hg.): Interpreting the Theatrical Past. Essays in the Historiography of Performance. Iowa City, S. 59-81.
Ferro-Murray, Ashley / Murray, Timothy (2017): »Technologies of Performance: Machinic Staging and Corporeal Choreographies«, in: Kim Solga (Hg.): A Cultural History of Theater in the Modern Age Band 6). London u.a.: Bloomsbury, S. 181-200.
Lavender, Andy (2016): Performance in the Twenty-First Century. Theatres of Engagement, New York: Routledge. Here „In the mix. Intermedial Theatre and Hybridity“ P. 59-76.
Nield, Sophie (2017): „Technologies of Performance: Architecture, Scenery, Light“ in: Peter W. Marx (Ed.). A Cultural History of Theatre. The Age of Empire. London u.A.: Bloomsbury.

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