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תיאוריית הג'אז למבצעים קלאסיים
Jazz Theory for Classical Performers |
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What insights can jazz analysis and practice methods offer classical performers? How can these methods be applied in preparing an interpretation of classical or romantic era piece for performance? In this course we will review major theoretical approaches and practice procedures used by jazz musicians. We will analyze harmonic and rhythmic devices from a jazz perspective; learn how to improvise on the structures of works from the classical repertoire. This will allow students to familiarize themselves anew and enrich the variety of ways in which they hear and prepare works for performance.
The Yolanda and David Katz Faculty of the Arts, The Buchmann-Mehta School of Music
Name of Course: Jazz Theory for Classical Performers
Semester I, 2017-2018
B.A, Lesson and practice, 2 hour weekly course
The course will be held in English.
Name of Lecturer: Ofer Gazit
Tel: TBA
Email: TBA
Reception time: By appointment
Course requirements
Participation, assigned listening, three written assignments, and final project.
Description of course
What insights can jazz analysis and practice methods offer classical performers? How can these methods be applied in preparing an interpretation of classical or romantic era piece for performance? In this course we will review major theoretical approaches and practice procedures used by jazz musicians. We will analyze harmonic and rhythmic devices from a jazz perspective; learn how to improvise on the structures of works from the classical repertoire. This will allow students to familiarize themselves anew and enrich the variety of ways in which they hear and prepare works for performance.
Course topics
Grading Summary
Bibliography
Nettles, B., & Graf, R. (1997). The chord scale theory & jazz harmony.