This is an introductory course that focuses on the basic traits of the theatrical creation within the medieval and Renaissance cultures. Christianity, which dominated the western world right from the beginning of the middle-ages, effected the shaping of different dramatic and theatrical forms from those that were known in the classical era. These medieval forms are still perceived as 'alternative' theatre today, and we shall study the cultural stance that induced the formation of this theatrical model along with its various manifestations. The Renaissance is known first and foremost for its inclination to return to the classical paradigm and therefore presents yet another variation of theatrical expression. For despite its tendency to reject medieval tradition the Renaissance nonetheless fashioned a weave of novelty and continuity. This combination between the traditional and the new shall be examined throughout the course, which is constructed chronologically in order to focus on each culture for itself, yet it also is targeted towards learning the inter-cultural dynamics.